Ren McCormick - Jesse Hochstetler, Cole Duffy

Ethel McCormick - Joyce Thompson

Rev. Shaw Moore -  Peter Robertson

Vi Moore - Kendall Crone

Ariel Moore - Melissa Hinrichs, Jessica Robertson

Lulu Warnicker - Amber Boyd

Wes Warnicker - Russ Villier

Coach Roger Dunbar - Matt Bachman

Eleanor Dunbar - Tina Whitaker

Rusty - Colleen Branham, Kim Fessel

Urleen - Katie Fonda, Nikki Limbaugh

Wendy Jo - Becca Lindsay, Jackie Beam

Chuck Cranston - Kris Kolish

Lyle - Bryce Norris

Travis - Shea Gonzales

A Cop - Brandon Eubanks

Betty Blast - Kirsten Mull

Willard Hewitt - Corey Long

Principle Clark - Brandy Bosler

Jeter - Shawn Whitlock

Bickle - Joseph Smith

Irene - Sarah Weilbaker

Country Kickers - Amanda Schmelz, Joseph Smith, Matt Zink, Shae Gonzales

Cowboy Bob - Greg Travers

Director - John Malone

Choreographer - Macie Long

Assistant Choreographer - Jason Flannery

Stage Manager - Corey Beaver, Misty Teeter

Lights - April Mills, Josh Kays

Sound - Candace Atwood, Laura Dennison

Costumes - Chelsie Nester

Set Design and Construction - Eddie Hampton

Props - April Sears, Samantha Henriques

Makeup - Teri Baylor, Chris Smallwood

Stage Crew - Brittnie Ott, Koree Wood

Stage Adaptation by Dean Pitchford and Walter Bobbie
Based on the Original Screenplay by Dean Pitchford
Music by Lyrics by Tom Snow Dean Pitchford
Additional Music by: Eric Carmen, Sammy Hagar, Kenny Loggins and Jim Steinman

Scene 1: The City of Chicago

Scene 2: The Church Yard

Scene 3: Behind a Gas Station

Scene 4: A High School Hallway

Scene 5: The Moore Home

Scene 6: The Burger Blast

Scene 7: The Great Plains of Bomont

Scene 8: The Moore Home

Scene 9: The High School Gym

Scene 1: The Bar-B-Que, a Country/

Western Dance Hall

Scene 2: The Moore Home

Scene 3: Another Part of Town

Scene 4: Under the Bridge

Scene 5: The Town Hall

Scene 6: The Church

Scene 7: The Gym

ACT I

Footloose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ren and Company

The Girl Gets Around. . . . . . . . . . . . . Chuck, Ariel, Travis, and Lyle

I Can't Stand Still. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ren

Somebody's Eyes. . . . . . . . . . Rusty, Wendy Jo, Urleen, and Company

Learning to Be Silent. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Vi, Ethel

Holding Out for a Hero . . . . . . . . Ariel, Rusty, Wendy Jo, Urleen

Heaven Help Me. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shaw

I'm Free/Heaven Help Me/On Any Sunday. . . . . . . . . . . . . . . . .Ren, Shaw, and Company

ACT II

Let's Make Believe We're In Love. .Irene & Country Kickers

Let's Hear It for the Boy. . . . . . . . . . . . . . . . Rusty and Company

Can You Find It in Your Heart? . . . . . . . . . . . . . . . . . . . . . . . . . Vi

Mama Says............ . . . . . . . . . . . . . . . . . . . . . . . . . . .Willard and the Boys

Almost Paradise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ren and Ariel

Dancing Is Not a Crime. . . . . . . . . . . . . . . . . . . . . . . .Ren and the Boys

I Confess. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shaw

Can You Find It in Your Heart? (reprise) . . . . . . . . . .Shaw

Footloose (reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Company

ACT 1

In a Chicago dance club, friends say good-bye to Ren McCormack. Because Ren's father has left them, he and his mother are moving in with family in Bomont, a small town where the community is carefully monitored by the powerful, local minister, Reverend Shaw Moore.

Ren quickly feels stifled by the atmosphere in Bomont. The only person who seems to rebel is the Reverend's own daughter Ariel - she's even dating bad boy Chuck Cranston. At school, Ren discovers an unlikely friend in Willard Hewitt, who is unnerved by Ren's restless energy.

Ren is stunned to discover that "no dancing of any kind is allowed within the town limits of Bomont." Rusty, Urleen, and Wendy Jo, Ariel's best friends, explain that this law dates back to a car accident five years ago that claimed the lives of four Bomont teens. They warn that conformity is part of small-town life.

Tensions rise between Rev. Moore and Ariel. His wife, Vi, tries unsuccessfully to intervene, finding friendly support in Ren's mom, Ethel.

At a local diner, Ariel and her Girlfriends bemoan the lack of exciting guys in their lives. Chuck storms in and gets tough with Ariel; Ren leaps to her defense. In appreciation, Ariel lets Ren in on her secret ritual - running through the fields of Bomont, yelling after the trains that will one day, she vows, carry her far away. Ren and Ariel find it surprisingly easy to talk, but when he walks her home, Rev. Moore demands that she never see Ren again.

ACT II

Ren drives Arie, Rusty and Willard a hundred miles outside of Bomont to a western dance hall. Willard confesses that he can't dance. While Willard, Rusty explains what she likes about this guy with two left feet.

When Ariel arrives home, her defiance provokes Shaw and he almost slaps her. Vi pleads her daughter's case, but Shaw refuses to admit his treatment of Ariel has grown severe since the death of their son, who, as it turns out, was one of the four teens killed in that fateful car accident.

Meanwhile, Ren's meeting with the Town Council to challenge the ban on dancing approaches. Willard bolsters him with loopy Hewitt-family wisdom. Ariel arrives angry and bruised; she's broken up with Chuck. She leads Ren to the railroad trestle above the river in which her brother drowned. Alone they discover that their friendship has turned to love.

At the Town Council meeting, Ren makes a convincing argument by quoting passages from a Bible which Ariel marked for him, but his motion is defeated. Ethel convinces him that Shaw Moore fixed the vote. Ren goes to church to speak to Shaw, but the Reverend throws him out. Shaw then realized how his son's death has overshadowed his life - and the lives of everyone in Bomont. A dance might be a good idea afterall. He shares his newfound peace of mind with Vi.

For the first time in years, the young people of Bomont dress up to "tear up this town"; Reverent Moore enters with Vi and all the other adults in town, making it a community celebration.